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Serial Mom Blu-ray ReviewSerial Mom True Story
SERIAL MOM Movie POSTER 27x40 B Kathleen Turner Sam Waterston Ricki Lake Matthew See more like this NEW SERIAL MOM DVD - KEEP CASE - KATHLEEN TURNER - SUZANNE SOMERS -SAM WATERSTON Brand New DVD. Now, Rawson, 40, has written a book — A Serial Killer’s Daughter — that chronicles how her horror and anger were tempered by the love she felt for her father, as well as the terrible toll.
Reviewed by Dr. Stephen Larson, April 17, 2018 Justin WhalinSerial Mom WatchWhen Savoy Pictures unveiled Serial Mom to the public in spring of 1994, audiences either 'got' writer/director John Waters's underlying messages or they didn't. Waters has always prided himself as a crude and lewd satirist as well as a master of conflating trash with art. Equipped with the largest budget he had to date, Serial Mom allowed him to unleash his irreverent sensibilities while staying within the confines of a commercial 'R' rating. Serial Mom's story is relatively simple but there are several layers of connotative meaning simmering beneath the surface. The Sutphin family live a sunny and idyllic life in an upper middle-class suburban neighborhood in Baltimore. Matriarch Beverly Sutphin (Kathleen Turner) is a proud homemaker active in her two teenage children's school functions. Her affable husband Eugene Sutphin (Sam Waterston) is a dentist and committed husband and father. Their son Chip (Matthew Lillard) is a clerk at a video store specializing in gore-infested, shock horror films. His perky sister Misty (Ricki Lake) is boy-crazy and always on the lookout for her next best date. The opening credits sequence has the Sutphins chatting away at the kitchen table as Beverly prepares breakfast. The mother is also irritated by a pesky fly and Waters ratchets some suspense as she keenly awaits to swat it. She flattens the insect like a pancake and the shot of it being squashed foreshadows Beverly's 'killer' instinct.While Serial Mom has several autobiographical elements in it, Waters's film is also a dissection of middle-class domestic conformity and complacency in suburbia. For example, Beverly (and Waters) take perverted pleasure in hearing neighbor Dottie Hinkle (Mink Stole) scream and rail against her obscene phone calls. Waters continually calls into question many of the characters' social mores and whether they are really 'prim and proper.' Waters slyly unpacks how they blindly follow societal norms and laws but are actually missing the more important aspects of them. Several of the characters act dumb but it is Waters's statement that they may not be 'all there' and just not fully in-tune with their surroundings.
While Serial Mom is a black comedy that gleefully lampoons situational family comedies from the fifties and sixties such as The Adventures of Ozzie and Harriet and Leave It to Beaver, it is also a scandalous critique of the cult of celebrity, especially serial killers. Waters is able to make this commentary while also injecting indictments against authoritarianism. In his 1999 audio commentary included on this disc from Scream Factory, Waters talks about the general anathema he had for teachers growing up and the bullying his late friend Divine endured while attending Towson Senior High School. Waters and his cinematographer Robert M. Stevens filmed part of Serial Mom Real Serial Momat Divine's old school where Beverly meets with Chip's math teacher. She becomes enraged with the teacher's complaints about her son and decides to run him over. (Most of Beverly's victims are those who either got on her nerves or had ill-involvement in her family's social affairs. It's both in nearly every case.) As the body count increases, the police and press are hot on Beverly's trail. She transforms not into a condemned killer but a sensational media star. 'Can we be on Current Affair?' Chip asks his family. They're well on their way! Chip becomes a talent agent. Suzanne Somers has already inked a deal to play Beverly in a TV movie. The local and national media shower Beverly with countless attention and adulation.Serial Mom wouldn't be as successful or effective as it is without Waters's witty script and Kathleen Turner's self-effacing performance. Turner is brilliantly sardonic and mocking at every turn. Sam Waterston is also wonderful in the thankless and sympathetic role as Turner's impotent husband. The rest of the cast is anchored by stellar supporting turns and cameos by some famous figures. Serial Mom is more amusing than laugh-out funny (the kill scenes aren't) but most of the dark comedic material works well. Comments are closed.
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